Doug(las) Lewis
  • HOME
  • Contact | CV | BIO
    • Biographies
    • Music
    • Art Instructor
  • Art
    • Sound and Vision
    • Drawing | Painting
    • Video
    • Photography
    • Audio
    • Installations >
      • Sounds and Visions-2021
      • Cave Art -2 Moving Pictures
      • Grand World exhibitions
      • SideWalk Project 2002 -06
      • Salt Licks 2000 -02
      • Ruptures in Sentiment 1995
    • 3D
  • Curator | 3rd Practice
    • the 3rdPractice
    • 3rd Practice Projects >
      • Astro World - 2020
      • Jus' Toying Around - 2017
      • Illegal Aliens 2015
      • All Art or No Art 2012
      • A Series of Possible Progressions
      • 798 Takeout 2014
      • Home Away from Home - 2006
    • Curated Exhibitions >
      • thoughts on curating
      • I Think There for, 2018
      • In|Outsource - 2015
      • Take Out (Dao Bao) 2011-13
      • Bug City 2003
      • From > To 2002-03
  • PERFORMANCE | SOCIAL PRACTICE
    • Ink Me in Beijing 2017
    • Screen Time 2009 - Present
    • Street Games - 2013
    • Shantou Tea 2012
    • Blue Shirt - recordings 1992, 2016
  • Investigations
    • Grand World 2016
    • Brick-collage 2008
    • Super Bar Street Project 2003
    • Synaptic Pop 2005- pres
    • Streetgames
    • Stamp Project 2004
    • ABOUT
Sound and Vision 

​2017-present

​
​Sound and Vision
 is an ongoing body of work that explores cinematic phenomena occurring from "moving pictures". I became enthused with psychological side-effects of filmmaking and post-production processes.  I am interested in how they prompt expectations and tamper with anticipation. The bodies of work are fuelled by a question: "do sounds drive images or do images que sounds?".  Some work are individual photos  or a series. Others result in larger installations and audio works.​
                            On the Spot, digital print on mylar, various sizes on mylar, 2015
Picture
​    Right Between the Ears, digital print on mylar,  40"x 70", 2018
Picture
Eye to Eye, mixed-media installation,  2012
I lived in several large cities over years I realized that I needed coping-mechanisms from the mass amounts of sound, light and bustle. The first attempt was becoming a student of Zen Buddhism. I learned to slow things down and detach from over-stimulation. Next came noise-cancelling earphones, then swimming, workouts and saunas. Wearing sleeping masks. Sound and Vision became my aesthetic defence mechanism to urban bombardment. A positive "nod" to David Bowie's song lyric "I will sit right down waiting for the the gift of sound and vision"  as an aesthetic.
Skins  Between Us, performance, surveillance camera, monitor, 2020
Picture
Chuckles, digital print, 35"x45", 2018

Long Border, 50"X60" digital print on aluminium, 2014
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  • HOME
  • Contact | CV | BIO
    • Biographies
    • Music
    • Art Instructor
  • Art
    • Sound and Vision
    • Drawing | Painting
    • Video
    • Photography
    • Audio
    • Installations >
      • Sounds and Visions-2021
      • Cave Art -2 Moving Pictures
      • Grand World exhibitions
      • SideWalk Project 2002 -06
      • Salt Licks 2000 -02
      • Ruptures in Sentiment 1995
    • 3D
  • Curator | 3rd Practice
    • the 3rdPractice
    • 3rd Practice Projects >
      • Astro World - 2020
      • Jus' Toying Around - 2017
      • Illegal Aliens 2015
      • All Art or No Art 2012
      • A Series of Possible Progressions
      • 798 Takeout 2014
      • Home Away from Home - 2006
    • Curated Exhibitions >
      • thoughts on curating
      • I Think There for, 2018
      • In|Outsource - 2015
      • Take Out (Dao Bao) 2011-13
      • Bug City 2003
      • From > To 2002-03
  • PERFORMANCE | SOCIAL PRACTICE
    • Ink Me in Beijing 2017
    • Screen Time 2009 - Present
    • Street Games - 2013
    • Shantou Tea 2012
    • Blue Shirt - recordings 1992, 2016
  • Investigations
    • Grand World 2016
    • Brick-collage 2008
    • Super Bar Street Project 2003
    • Synaptic Pop 2005- pres
    • Streetgames
    • Stamp Project 2004
    • ABOUT